Thirteen Reasons Why Review

As the entire internet has been talking about Thirteen Reasons Why, I found myself curious to watch it, despite my reservations based off the fact that I knew the book existed growing up and never really had an interest in reading it. I had always sort of figured that it would read like a teacher’s lecture about why bullying is bad and suicide is never the answer. And while I still haven’t read the book, so I can’t say if that’s the case for Jay Asher’s work, that is not what I found in the Netflix television show.

The television show discusses in close and sometimes graphic detail issues such as suicide, bullying, rape, depression, and women’s issues, and I have to admit, I really admire the show for the directions that it sometimes chose to take. I should say, right off the bat, that I really enjoyed this show and could not stop watching it – but more on that later. First, I’m going to list off the parts of the show that I really enjoyed, and the reasons why I would recommend it to others.

The show represents bullying in a very mature and realistic way. The kids who bully Hannah (for the most part) are not one-dimensional bullies who are completely irredeemable: they are either incredibly hurt people who are too busy dealing with their own problems to notice the pain they are simultaneously causing, or they are realistically dumb kids who just don’t think that this is something that can hurt someone. And the way that the show represented either end impressed me hugely: I liked that I cared about many of the bullies, but at the same time understood why they deserved the retaliation that they received. They were neither good nor evil people, they were just people. To a certain extent, even the show’s hero, Clay, is depicted as an imperfect person, as Clay contributes to some of the bullying that goes on at school, and it’s hard to say how much of the extent to which he blames the bullies for Hannah’s death is rational. And on the other spectrum, I enjoyed the way in which simple dumb kids were depicted. There are several scenes throughout the show where characters (particularly male characters) give Hannah very back-handed compliments and genuinely don’t understand when she gets offended, and this feels very realistic to me. This is something that people (women in particular) experience all the time is a society run on a limited definition of beauty, and it was nice to see this expressed in a very realistic way and to have it explained why, exactly, this isn’t okay.

And although the show has received some criticism about the fact that, while showing characters with symptoms of depression, mental illness is never explicitly discussed, I didn’t really mind the way it was portrayed. As someone who has suffered from depression in the past (and who has a tendency to go back to depressive thoughts from time to time), I found that the symptoms of depression were clear enough that I knew what they were trying to convey. And, more than that, it really reminded me of how it felt to have depression but to not realize that you do, and to not have your mental illness recognized by people around you – which, admittedly, mostly happened to me when I was a teenager. And the majority of the characters are teenagers. Teenagers who, repeatedly, have their emotions and issues belittled unintentionally by the adults around them, and the show does a very realistic job of portraying this as well.

These facts about the show has earned it a very special place in my heart, and when I was watching it, I found that I could not look away – both because I was so engrossed in what was watching and because, at some points, I just couldn’t look away. It was like stumbling upon a car crash – you just want to keep watching until you find out what the body count is and how gory they died. There are three scenes in particular that I found to be incredibly graphic – two rape scenes and a depiction of suicide. Thus far, I’ve been praising the show for how realistic their depictions have been, but these three scenes are where I wonder if a line needs to be drawn. Upon completing the show, I found myself feeling emotionally drained and very low, and these three scenes in particular are responsible for that. They are just so graphic, so intimate, and as much as I can see the benefit of that, I can also see the harm for a specific audience.

And more on that, the way that the show treated Hannah’s decision to kill herself was sometimes questionable. Clay, the show’s protagonist and the perspective through which we see most things, believes that Hannah was justifiably driven to suicide through the actions of those around her. They let her down, they are responsible – not her. We do see other perspectives from time to time, including a school councilor who assures Clay that Hannah’s suicide wasn’t his fault and a fellow student who claims that everyone deals with pain and that “suicide is for the weak,” but Clay’s perspective is the one that is given the most weight, and it’s a perspective that I don’t agree with. When someone kills themselves, it is natural to feel like you could have done something more to avoid that outcome, but it is not your fault. It is not your fault. It is not your fault. Everyone deals with pain, and everyone deals with it differently. If someone makes the choice to end their life, it is because they are dealing with overwhelming mental illness. And more than that, it is a choice that they made. It is not your fault. And the fact that they keep working under the assumption that Hannah’s suicide was the fault of anyone else but Hannah seems a little bit unfair. Yes, those who bullied and assaulted her should be held accountable, but her choice to take her own life is a separate action.

Despite my problems with the show, however, I have to say that I really loved it in the end. I loved how fleshed out and realistic the characters were, I love that they took on such important issues, and I loved that they were willing to take risks and be dark when they needed to be. I don’t know if I would recommend this show to everyone, just because of how dark and how graphic it is, but if you think that you can handle it, I would definitely say that it’s worth the watch.

Psycho 2 Review

Hitchcock’s 1960 film Psycho is a horror classic. It features images that have become ingrained in popular culture, such as the famous shower scene, the image of the corpse sitting on its chair in the fruit cellar, and Norman Bates’s evil smile to close off the film. It offers many brilliant performances, many subtle notes, and many reasons to come back to the film again and again. Really, it’s a story that doesn’t need to be continued – a story that you almost don’t want to see continued, because the narrative gaps that are left into the film are all ones that you enjoy filling in for yourself. And yet they made a sequel. Yay?

So, yeah, let’s get that out of the way first: this is a sequel that doesn’t really need to exist. The first Psycho was complete unto itself, no one was really clamouring to see how Norman Bates’s story continued, and although the book that Psycho is based on does have a sequel, this film is not based on it. And considering the fact that the first film was a classic, there’s absolutely no chance whatsoever that this film can compare. But that being said, a lot of horror sequels aren’t really necessary, but that doesn’t mean they can’t be enjoyed for what they are.

And there are quite a few things that this film has working in its favour. Anthony Perkins returns to play Norman Bates, and his performance was a highlight of the first film. He was the awkwardly charismatic man with a secret, someone who you knew wasn’t quite right but you weren’t quite sure how not right until the movie’s end. Well, in this film, all pretense is dropped and we know how not right Norman Bates is. Sort of. I mean, we know the crimes that he is responsible for in the past, but interestingly enough, the film’s conflict comes from the fact that Norman Bates has been released into the public, considered legally sane, and yet murders have begun springing up again, and Norman has begun receiving messages from his mother again. Is he losing his mind again, or is someone working against him?

On the one hand, I like this conflict. I feel like, at some point, it was the makings for a very strong script. I like the idea of humanizing a person who is extremely mentally ill and responsible for terrible crimes. But, at the same time, there is a fine line between humanizing someone and ignoring the fact that they are a serial murderer, and this film crosses that line sometimes. There are multiple points throughout the film where other characters are accused of being “just as crazy as Norman,” and unless they’ve also hacked up women in the shower because they dared to be attractive, I’m going to say that isn’t true. There are simply too many times in this film where it feels like the writers forget the things that Norman is responsible for, and more than that, they forget just how mentally ill he was. They forget about the internalized misogyny that made him want to punish women he found attractive. They forget that his alter-ego “Mother” was not solely responsible for the things he did, and that getting rid of that alter-ego would not completely cure him and make him an average, neurotypical man. And, yes, I know that time has passed since the first film and that Norman has been in mental institutions ever since, but a) the first film established that Norman had been in psychiatric care before and it hadn’t cured him completely, and b) I can only buy that Norman has changed a certain amount, and being replaced with an entirely different character is not enough.

And, not to mention, there are a lot of plots in this film, to a point where I felt somewhat confused about what was going on. Without spoiling anything, there are multiple villains throughout the film and not all of them are working with one another. Norman just seems to attract crazy. A subplot is introduced regarding the possibility that Norman may or may not have adopted, and I’m not really sure what this subplot adds to the universe of the Psycho films. It just feels really ridiculous and unnecessary.

But that being said, I went into a film called Psycho 2. I was prepared for ridiculous and unnecessary, and that is exactly what I received in abundance. I do not feel let down by the film that I saw, not in the least, and as much as I’m aware that it was a bad film, it still held my interest all the way through. I got the impression that the writer behind this film watched the first Psycho and thought: “This is good, but what if it was more sympathetic toward Norman, and what if the women were all the villains instead?” and that choice was simply so befuddling to me that I wanted to keep watching. And by the time the film ended, I felt like I had thoroughly enjoyed myself.

So the way I see it, when you come across a film called Psycho 2, you know what you’re getting into. You know that it’s probably going to be a little over-the-top, a little ridiculous, and considering it was a sequel to a horror film made in the 1980’s, a little gory. And as long as you expect that, rather than the brilliance of the first film, you will not be disappointed. You might even have a lot of fun with it.